On copyrights and conlangs
One would imagine that if someone invented a language for use in a creative work, that someone could retain copyrights to the use of the language, would he or she not? According to U.S. case law, that might not be so, in the opinions of the Language Creation Society (LCS), a nonprofit organisation created for the promotion and discussion of constructed languages (conlangs). LCS submitted an amicus curiae — unsolicited advice to the courts for pending cases — to the Paramount v. Axanar case, where Paramount Pictures sued Axanar Productions for infringing various parts of its intellectual property over a fan-produced film Prelude to Axanar. These include: Vulcans, likeness of Vulcans, Romulans, uniforms with gold shirts, triangular medals, etc etc., and The Hollywood Reporter has more information on how Axanar is planning to respond to each claim.
What caught my interest was that Paramount laid claim to the Klingon language, which got me thinking: “Can conlangs created for the purpose of creative works be copyrighted?” Paramount has claimed the copyright to the Klingon language, its vocabulary and its graphemes but LCS believes that its claims will not hold in the court of law — indeed, anyone can claim copyright to anything but it is only when copyrights are challenged in courts that they are found to be valid or otherwise.
Citing an 1879 case Baker v. Selden, LCS said that while reproductions of creative works are protected by copyright laws, no laws exist to prevent individuals from using systems and creating their own derivative works with it. Baker v. Selden was a case where Selden created a system for bookkeeping and wrote books about it, hoping to sell the ideas to counties and the government. However, he was unsuccessful. Later on, Baker produced a book on bookkeeping that had systems very similar to Selden’s. Selden’s estate sued Baker, but the courts ruled that:
“[W]hilst no one has a right to print or publish his book, or any material part thereof, as a book intended to convey instruction in the art, any person may practice and use the art itself which he has described and illustrated therein… The copyright of a book on book-keeping cannot secure the exclusive right to make, sell, and use account books prepared upon the plan set forth in such a book.”
Thus Klingon as a language cannot be copyrighted, especially given its status where not only its creator Marc Okrand but also various scholars have contributed to the development and expansion of Klingon. Upon the establishment of linguistic rules of Klingon — syntax, phonology, morphology, etc — the language takes a life of its own and it would be unthinkable that a copyright holder could lay ownership to all and any subsequent derivative works from using that language. LCS cites the translated works of Shakespeare’s Hamlet and the Epic of Gilgamesh into Klingon, not to mention the technically somewhat-valid native speaker of Klingon, Alec d’Armond Speers, as proof that Klingon is a robust-enough language and trying to enforce copyrights to it would be unreasonable. It would be akin to enforcing a copyright on Esperanto today.
Moreover, the movie Prelude to Axanar isn’t ripping Klingon dialogue verbatim in their fan film, but devising dialogue based on using the Klingon language system. Indeed, besides Baker v. Selden, LCS is citing many other case laws to their effect that Klingon is a free language that cannot be copyrighted, and if anyone’s interested should check out the amicus brief (linked at the top of this post and also embedded below). The brief is also replete with lots of Klingon phrases written in Klingon script and accompanying footnotes, which I think is hilarious but probably not very amusing to the presiding judge.
So what does this mean? Feel free to write your fan-fiction in Quenya, Sindarin, Klingon, Na’vi or even that Atlantean language that Marc Okrand also created for the Disney movie Atlantis: The Lost Empire. As long as one isn’t merely ripping off dialogue (reproduction) but can prove that the utilised language is a product of using the language systems to derive original work, copyrights to the language are unenforceable. Granted, this is merely my opinion, but other folks have voiced similar sentiments (I liked this and this from LCS member Sai), and they’re worth checking out if you’re interested in copyrights and conlangs. We’ll see May 9th how the courts rule, and hopefully it’ll be in the favour of language hobbyists and enthusiasts.