And now, back to the usual programming
I took nearly a week off from updating because I felt like I was haemorrhaging for ideas at one point. I think I am ready to get back on track again.
I took nearly a week off from updating because I felt like I was haemorrhaging for ideas at one point. I think I am ready to get back on track again.
It’s been over NINE years. You’d think we’d have moved on as a society.









Nooope.
Very fascinating, but were you to look at the comments on the video, the comment most seen is “But why is ‘Dick’ short for ‘Richard’?”
Second most popular comment is: “Who the hell actually says ‘A whole nother'”?

Particle tracks from a proton collision, image credits LiveScience
News of the Higgs boson came out a long time ago, and has been nicknamed by the media as the “God particle” as an accessible way of understanding what the particle is, much to the chagrin of many scientists. It has also been touted as the particle responsible for giving things mass.
Frankly, I didn’t quite understand it back then. Thus I sought to read up on it, and I learnt many surprising things about how it worked, and how many of the things the media said it did were untrue.
I stumbled upon the blog of theoretical physicist Matt Strassler, who tries to explain big science as painlessly as possible. His article, The Higgs FAQ 2.0, was immensely helpful in parsing out what the discovery of the Higgs boson really means and what the media touts it to be.
The media has been touting how the discovery of the particle will explain the building blocks of life and how matter come to be, but that really isn’t true. It isn’t the Higgs boson that gives mass to other particles, but the interaction of the other particles with the Higgs field itself.
What’s so important about this is that because the Higgs field is non-zero in the universe, many particles have mass, including the electron, quarks, among others. “If the Higgs field’s average value were zero, those particles would be mass-less or very light. That would be a disaster; atoms and atomic nuclei would disintegrate. Nothing like human beings, or the earth we live on, could exist without the Higgs field having a non-zero average value.” Strassler writes in his FAQ.
Strassler writes,
On the one hand, finding the Higgs particle is the easiest (and perhaps only) way for physicists to learn about the Higgs field — which is what we really want. In that sense, finding the Higgs particle is the first big step toward the main goal: understanding the properties of the Higgs field and why it has a non-zero average value.
On the other hand, our modern media world insists on generating hype. And since explaining the Higgs field and its role and its relation to the Higgs particle takes too long for a typical news report or interview, journalists, and people talking to them, typically cut the story short. So the Higgs particle gets all the attention, while the poor Higgs field labors in obscurity, protecting the universe from catastrophe but getting none of its deserved credit…
Strassler writes,
And so a particle’s mass is the same no matter what it is doing — stationary relative to you or moving relative to you. And that’s important, because a particle is always stationary relative to itself! so it always, from its own point of view, should have the same mass.
Analogies which refer to the particle’s mass as having something to do with the field being like molasses, or a room full of people, are problematic analogies because they make it seem as though a particle must be moving in order to feel the effect of Higgs field, whereas in fact that is not the case.
I started by looking at those analogies, but the one below explains it the best, even though it still has to use the analogy of “moving through it” to achieve the idea of achieving mass.
I would say a more accurate analogy might be: There is a room full of magical fat that coalesces onto people who exists in the room. A person X exists in this space, and he coalesces a light amount of magic weight on from the air; he can move around lightly. A person Y also exists in this space, and in his existence, he coalesces a lot weight on him; he moves around less lightly. A person Z exists in this space, but he is special and coalesces no magical fat on him at all, and he is able to zip about at speeds unthinkable to X and Y. The encumbering of the coalesced magical fat on the persons are the given mass. Thus, X has less mass than Y, and Z, akin to the speed of light, and having no magical, cumbersome fat on him at all, is mass-less.
Strassler writes,
…the Higgs field is not the universal giver of mass to things in the universe: not to ordinary atomic matter, not to dark matter, not to black holes. To most known fundamental particles, yes — and it is crucial in ensuring that atoms exist at all. But there would be just as much interesting gravitational physics going on in the universe if there were no Higgs field. There just wouldn’t be any atoms, or any people to study them.
He wrote in another post, titled “Does the Higgs Field Give the Higgs Particle Its Mass, or Not?”
That post becomes hard to understand further down the line, as Strassler uses mathematical equations to demonstrate how even if the Higgs field became zero on average instead of being non-zero, while electrons, quarks, neutrinos and W and Z particles, which are dependent on the Higgs field for their mass, would then become massless, Higgs particles still have mass, indicating that their mass must come from a different source, other than the Higgs field.
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In all, understanding scientific breakthroughs is hard, especially when the media, in its bid to make it accessible to the general public, obfuscates or places unnecessary emphasis on the wrong things. This actually impedes the understanding of what’s actually important, and learning about how our world works.
In recent viral video news, Marina Shifrin, who worked as a content editor at Next Media Animation, Taiwanese news animation company responsible for animated news hits such as US-Sino Currency Rap Battle or the one on US airport security body scans, quit her job with a bang, by releasing the above-embedded video.
Shifrin also wrote a post on her blog about her departure, and how journalism is “dead” to her.
I dropped everything for work. I spent hours in the office perfecting my headlines, my voice overs, my stories. But as the workload increased, I found I could no longer keep up. I tried. I came in earlier, I stayed later, I worked on weekends. Scared I wasn’t pulling my weight, I went to my boss and told him how I felt.
“Make deadlines, not art,” was his response.
After I admitted that I could not hit the deadlines needed to put out our long-form, satirical news pieces, I was moved to our serious stories. Guess what I figured out? Journalism is the worst! I mean if you’re not reporting about which Kardashian is pregnant, then you’re reporting about a baby that was shot in the head.
I understand Shifrin’s frustration with writing what she calls “fluff” pieces — after all I once tried writing for Buzzfeed, and it was the most excruciating animated-gif-laden piece I’ve ever produced, and was not proud of it when it was finished. However, what I don’t get is if she can’t keep up with journalism deadlines, where news is produced every day, what was she expecting journalism to be when she decided to embark on that journey in college? Was she not expecting a breakneck pace of work?
J-school tends to give the impression that people have the luxury of time to slowly craft and follow a story, but at least through internships and having to produce content daily, journalism students should know that a lot is expected of them in the span of a day. Shifrin’s beef with her boss’s rather reasonable expectations of her to make deadlines is rather unfounded.
Also, did she not know what she was getting into when she entered Next Media Animation? Perhaps she did, and thought she could outlast the content NMA produces. But she calls having found NMA “different.”
It was for an animation company where I was free to make jokes and put my personality into my writing. I loved it! I found the perfect combination between comedy and journalism. I was having my cake, eating it AND going in for seconds.
She apparently knew what she was getting into, and the whole “NMA produces only fluff” stand seems rather dubious at best.
Her quitting has attracted coverage from quite a few major sites: Wall Street Journal sees her dramatic exit as the product of Millennials’ cynicism, Huffington Post sees it as internet win, and Gawker merely touts it as a young person unable to news aggregation and quitting.
From a Singapore popular opinions site, The Real Singapore has also picked up on the story and wrote their own scathing take on Shifrin’s resignation. They called it a quitting in the “most narcissistic, viral way possible.” They also wrote:
This is the big villain of Shifrin’s piece, the boss who wanted her to hit “deadlines” instead of crafting the “art” of her journalism. Well guess what? Journalism isn’t art.
This is why there is no respectable journalism in Singapore; even sites such as The Real Singapore, which purports to deliver news and journalism as an alternative to the mainstream Singapore media, don’t even respect journalism themselves.
I’ve gone through school to study journalism and how to be a journalist, I want to be a journalist. But it is very easy for many to dismiss journalism as being art, or even fail to see how it can possibly be art. I don’t see how the connecting of the lives of others around the world in as succinct a piece as possible isn’t a form of art.
When Shifrin says she “quits journalism,” it really makes one wonder if she’s meant for journalism in the first place. Pursuing journalism has always been akin to some sort of willing self-debasement — one expects to lose time, friends, and relationships to journalism. But being a journalist is about despite knowing these and still staying on, because one really loves the news. That’s really why anyone would willing put themselves through such torture.
Surviving journalism is all about being in the right news sector.
Comic taken from Corpse Run Comics
It has come to the point where I am adrift, and am asking myself what am I doing. I feel like I’m at an impasse — neither going forward, nor does returning look favourable.
I am afraid:
…of the future — I can’t even see what lies ahead any more, where previously I had mapped out a life for myself. Having no success starting in that path, that vision eludes me more every day.
…of the present — How much longer can I keep this up? Waking up today, knowing that nothing has changed for the better, makes me afraid to wake up tomorrow, that tomorrow will be just as it is today.
..of the past — I look back, and see people I’ll have to face should I fail to succeed. How can I even send an email to my mother when I still have yet to accomplish anything I had set out to do?
I had a purpose, and it is still there. Is it keeping me strong, or am I merely hunkering down, to be whittled away slowly? This purpose of mine fuels me with so much fear and uncertainty that on certain days, I feel as if my heart is going to just give in.
In the original Japanese link of the image, like one of the commenters said about the first characters of the writing on the board, “五十せ?” It was supposed to be 幸せ, just really messily written. Looks like teachers are guiltiest of messy handwriting more so than students.
I am a big fan of the art nouveau movement. In fact, I have previously done an illustration combining that art style and Pokémon, some of my favourite things.
However, many do not know that art nouveau took a lot of inspiration from Japanese art, especially woodblock prints, ukiyo-e. From Wikipedia:
Two-dimensional Art Nouveau pieces were painted, drawn, and printed in popular forms such as advertisements, posters, labels, magazines, and the like.Japanese wood-block prints, with their curved lines, patterned surfaces, contrasting voids, and flatness of visual plane, also inspired Art Nouveau. Some line and curve patterns became graphic clichés that were later found in works of artists from many parts of the world.
And ukiyo-e’s flatness of dimension highly influenced the Japanese animation industry, and that particular art style is sometimes called “superflat.”
Thus I thought it really interesting when I came across this article of a Japanese ex-host (escort) Takumi Kanehara who gave up his life at the bar pleasing woman and turned to creating pleasing works of art. He produced a series of Art Nouveau Mucha-style pictures of various Studio Ghlibli’s works such as Howl’s Moving Castle, Spirited Away, Kiki’s Delivery Service, and more. Thus in essence, anime art nouveau. How does one even begin to describe that? A work based on modern Japanese animation using a Western art style inspired by traditional Japanese art.
To find out more of his works, here is Kanehara’s Twitter.